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Filmmakers Academy – Advanced Cinematography: Inside the Color Correction Bay

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Advanced Cinematography Career Path

The ultimate guide to a successful career in cinematography

161 Lessons
22 hours of instructional videos
28 Podcasts

Mastering cinematography takes years of trial and error, finding your style, and your visual rhythm. For over 30 years, Shane Hurlbut, ASC shaped his career in the industry, mastering his craft by expanding his knowledge of every format and even cross-training in different areas (such as lighting) to become a well-balanced cinematographer.

Shane specifically designed the Advanced Cinematography Career Path to make you a better cinematographer. He personally curated an advanced curriculum that guides you through to the next level of your cinematic knowledge behind the camera. Buckle up, this course takes all that you’ve already learned but provides additional layers of time-tested experience to help you master and finesse your craft.

On completion of the Advanced Cinematography Career Path, you’ll have the confidence necessary when you walk on set, understanding efficiency, how to lead a crew, the finer nuances of pre-production, production, and post-production, navigating professional relationships, and how to ultimately master your craft.

Welcome to the crowning level of Cinematography. Your future starts NOW.

Module 1 — Advanced Leadership and Responsibilities

How To Be a Leader In the Industry
Director and DP Communication
HA Podcast: Ep 15 Leadership and Attitudes in the Industry
HA Podcast: Ep 24 Work Ethics and Leadership
Motivating Your Filmmaking Team
HA Podcast: Ep 27 Composure On Set
HA Podcast: Ep 31 Communication is Key
HA Podcast: Ep 21 Business Network and Crew Attitudes
HA Podcast: Ep 19 Maintaining Work and Life Balance
HA Podcast: Ep 48 Getting Focused
HA Podcast: Ep 53 Be Prepared
HA Podcast: Ep 47 Growing Pains
HA Podcast: Ep 56 Filmmaking Family Relationships
How To Lead Your Team In Tough Climates: Fathers and Daughters

Module 2 — Advanced Cinematography Theory

HA Podcast: Ep 51 Vocalizing Vision
HA Podcast: Ep 36 The Art in Business
HA Podcast: Ep 12 Camera: Formats Exposure and Focus
HA Podcast: Ep 13 Setting Up Rules of Engagement for Your Characters
HA Podcast: Ep 14 Mixing The Art and Science of Cinematography
HA Podcast: Ep 25 Planning Your Coverage
HA Podcast: Ep 33 Understanding Your Filmmaking Tools
HA Podcast: Ep 55 Lighting Focused
HA Podcast: Ep 11 Creating Depth, Mood, and Emotion with LIghting
HA Podcast Ep 4: Lighting in Layers and Understanding Light Quality
HA Podcast: Ep 2 Mastering Lighting and Facing Challenges On Set
HA Podcast: Ep 34 Light Quality and Spectrum
HA Podcast: Ep 49 The Devil is in the Details
HA Podcast: Ep 35 Light Placement: On Set Efficiency
HA Podcast: Ep 52 Breaking Free

Module 3 — Advanced Cinematography Theory Case Studies

How To Research Your Look: The Skulls
Establishing The World: Terminator Salvation
How To Light with Emotion: The Rat Pack
How To Create and Unlit Natural Look: Crazy Beautiful
How To Extend Dawn for Hours: Drumline
How To Extend Sunset for Hours: Into the Blue
How To Light Night Exteriors with Two Lights: We Are Marshall

Module 4 — Advanced Cinematographer’s Prep

HA Podcast: Ep 32 Your First Steps in Pre-Production
Action Sequence Cinematography: How To Deliver Camera Emotion Pt 1
Action Sequence Cinematography: How To Blend Camera Styles: Pt 2
Action Sequence Cinematography: Deliberately Breaking The Rules: Pt 3
Action Sequence Cinematography: Logistics: Part 4

Module 5 — Advanced Blocking and Composition

Using the Script to Pre-Visualize Your Blocking: Semi-Pro
Using the Rehearsal to Refine the Shot List: Semi-Pro
Understanding Camera Blocking and Breaking the Rules: Semi-Pro
How To Increase Your Lighting Speed: Semi-Pro
Understanding Light Placement with Multiple Actors: Semi-Pro
How Light Placement Affects Emotion: Semi-Pro
All The Prep for One-Shot: A Casa Tutti Bene
Classic Hollywood Blocking vs Blocking for a One-Shot
Composition Tells a Story
What Does the Blocking Process Look Like?
How To Light a 4-Minute One-Shot
How to Recreate Moonlight with Hard Shadows
Lighting the Path of an Interior to Exterior One Take
Frame Analysis

Module 6 — Exposures and Ratios

Training Your Eye Through the Use of False Color Pt 1
Training Your Eye Through the Use of False Color Pt 2
HA Podcast: Ep 44 Mastering Your Craft

Module 7 — Inside the Color Correction Bay

03 DP and Colorist Relationship in the BAY
HA Podcast: Ep 18 Color Grading & Workflows

Module 8 — Deadfall Case Study

Location Scouting: Walkthrough with the Director: Deadfall
Camera Blocking and Setting Up the Scene: Deadfall
Location Scouting: Theory and Production Design: Deadfall
Location Scouting: My Cinematographers Scouting Toolkit
How To Tech Scout a Location: Deadfall
How Color Temperature Sets the Mood: Deadfall
Know Where and Why to Place the Master Shot: Deadfall
How To Balance Your Rooms Ambient Light: Deadfall
How To Block a Scene with Actors: Deadfall
Finessing and Shooting the Master Shot: Deadfall
How To Compose and Light the Close Up: Deadfall
Fine Tuning the Close-Up Lighting and Executing the Shot: Deadfall
How To Extend Dusk for Hours: Deadfall
Using Color Theory and Lighting to Recreate Dusk: Deadfall
How To Mimic a Police Car Light: Deadfall
How To Light Your Interior for Dusk: Deadfall
How To Light and Lens a Two Shot: Deadfall
How To Light the Reverse Angle: Deadfall
How To Light the Close Up for Dramatic Impact: Deadfall
01 Cinematography: Day Interiors Vol II: Location Scout
02 Cinematography: Day Interiors Vol II: Technical Scout
03 Cinematography:Day Interiors Vol II: Actor Blocking and Rehearsal
04 Cinematography: Day Interiors Vol II: Setting Your Lights
05 Cinematography: Day Interiors Vol II: Perfecting Room Tone
06 Cinematography: Day Interiors Vol II: Shooting the Master
07 Cinematography: Day Interiors Vol II: Lighting the Close Up
08 Cinematography: Day Interiors Vol II: Lensing The Close-up
Turning Around & Lighting Eli’s Close-Up

Module 9 — Into the Badlands Case Study

How To Create Day Exterior Lighting on a Stage: Into The Badlands
How To Diffuse Sunlight: Into The Badlands
How To Replicate Early Morning Exterior Light: Into The Badlands
How To Replicate Early Morning Interior Light: Into The Badlands
How To Replicate Late Afternoon Light On Stage: Into The Badlands
How To Replicate Midday Interior Light: Into The Badlands
Matching Artificial Light with Natural Sunlight: Into The Badlands
Challenges of Blocking Night Interiors: Into The Badlands
How To Create Firelight and Lamplight Effects: Into The Badlands
How To Illuminate Rain at Night: Into The Badlands
How To Light Large Spaces: Into The Badlands
How To Light Nightclub Environments: Into The Badlands
How To Shape Light in a Forest: Into The Badlands

Module 10 — Fathers and Daughters Case Study

How To Keep Consistent Lighting in Day Interiors: Fathers and Daughters
How To Light Large Day Interiors: Fathers and Daughters
How To Light Night with Existing Street Lights: Fathers and Daughters
How To Light with Practical Sources: Fathers and Daughters
How To Replicate Late Afternoon Light On Stage: Fathers and Daughters
Lighting For Emotion: Fathers and Daughters
When To Sacrifice Lighting for the Performance: Fathers and Daughters
How To Control Natural Light: Fathers and Daughters

Module 11 — Swing Vote Case Study

Night Interior Lighting In Small Spaces: Illumination Experience Master Class
Night Interior Lighting In Small Spaces: Illumination Experience Master Class Part 2
Day Interior Lighting In Small Spaces: Illumination Experience Master Class

Module 12 — Need for Speed Case Study

04 How to Light Urban Night Car Chases: Illumination Experience
05 How to shoot Car Commercials at night: Acura

Module 13 — Lighting for Three Cameras

How To Light for Three Cameras: Part 1
How To Light for Three Cameras: Part 2
How To Block and Light for Three Cameras: Fathers and Daughters Part 1
How To Block and Light for Three Cameras: Fathers and Daughters Part 2
Understanding Camera Placement: Fathers and Daughters
Set Lighting for Three Cameras: Into The Badlands

Module 14 — Advanced Color Theory

How To Use Color Contrast with New Digital Cameras
Using Color Temp to Create Depth and Dimension
How To Communicate Your Vision to the Director with Color: Into The Badlands
How To Create Color Contrast: Into The Badlands
How To Create Emotional Impact with Color Temperature: Fathers and Daughters
How To Light with Mixed Color Sources: The Ticket
01 Building Set Lights with Balanced Color Temperature
Mixed Source Lighting: How To Light in Layers: Illumination Experience Master Class

Module 15 — Advanced Camera Movement